There is a limited number of films in existence capable of captivating an entire audience and imprinting the moment on each person’s psyche. Movies like “Indiana Jones,” “Star Wars,” “Back to the Future,” and, of course, “Jurassic Park” come to mind.
So when a new installment of these franchises is announced, there are two competing thoughts that race into one’s head: 1) This is amazing news! and 2) They are definitely going to ruin a film that I love.
In the case of “Jurassic World,” the filmmakers decided it best to go with a popular note among studio executives: make it the same, but different. Instead of bringing back Sam Neil and his trademark hat and neck scarf, director Colin Trevorrow (“Safety Not Guaranteed”) and writing team Rick Jaffa and Amanda Silver basically rehash the original film’s premise, this time with a park that has been successfully running for 2 decades rather than a small dress rehearsal with scientists.
With the incident from the 1993 film in the past, Jurassic World has opened to major success with innovation and popularity that John Hammond could have only dreamed possible. It’s amazing to look back on the original park and see just how much the technology has changed in 22 years. Instead of Jeep Wranglers driving on designated tracks, the park is now equipped with a monorail and has a ride where you can drive alongside herds of dinosaurs inside of a protected sphere. But enough about how cool the park would be to visit, let’s get back to the story.
Serving as the director of the park, Claire (Bryce Dallas Howard) is desperate to find a new attraction that will help the park maintain its booming business. As she says in the film, people are no longer excited by the idea of merely bringing dinosaurs back to life (an interesting moment of self-observation for the series). It falls to Dr. Henry Wu (BD Wong) and his team to create a new dinosaur with more teeth that is a hybrid of several species. Enter the Indominus Rex, a 50-ft killer with a long list of spoilerific upgrades not to be shared in this review.
The other characters of note in the film are the male protagonist Owen (Chris Pratt), a Navy vet who is responsible for training the velociraptors and two brothers (Ty Simpkins and Nick Robinson) who are visiting the park for the first time to see their aunt Claire, who runs the place.
There are often many moral and philosophical questions pondered in the Jurassic Park films, as well as Michael Crichton’s books. In the original, Ian Malcolm (Jeff Goldblum) was the voice of reason who states “your scientists were so preoccupied with whether or not they could (create dinosaurs) that they didn’t stop to ask if they should.” This time around a similar conversation takes place between Dr. Wu and the new owner of the park, Simon Masrani (Irrfan Khan), where the film discusses the implications and dangers of creating new monsters.
While covering many of the same topics touched on previous films helps the new one find its place in the series, what matters for “Jurassic World” is whether or not it holds its own as a summer blockbuster. In this regard, it’s a success.
Let’s not confuse success with being perfect, though. Many of the characterizations, including Claire and Owen’s dynamic together, are very archaic. There are a few ideas in the film that are a reach (Yes, even for a movie about dinosaurs) and not all of them pay off. Without spoiling too much, one character thinks it’s plausible to turn raptors into drones for the military. Spend more than five seconds thinking about that plan and see how good it still sounds.
Probably the biggest complaint that will be filed against “Jurassic World” is that it isn’t as good as Spielberg’s original film. Is that fair? No. Is it true? Yes.
Like many Indiana Jones fans would probably say: maybe an exciting new installment of your favorite franchise doesn’t have to be perfect. It just can’t be about aliens or feature Shia LaBeouf. On that note, “Jurassic World” is a clear winner.
Though it has a few stumbling moments here and there, “Jurassic World” is a worthy successor of the franchise.